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The Vedic period, or the Vedic age (), is the period in the late Bronze Age and early Iron Age of the history of India when the Vedic literature, including the Vedas (–900 BCE), was composed in the northern Indian subcontinent, between the end of the urban Indus Valley Civilisation and a second urbanisation, which began in the central Indo-Gangetic Plain BCE. The Vedas are Liturgy texts which formed the basis of the influential Brahmanical ideology, which developed in the Kuru Kingdom, a tribal union of several Indo-Aryan tribes. The Vedas contain details of life during this period that have been interpreted to be historical and constitute the primary sources for understanding the period. These documents, alongside the corresponding archaeological record, allow for the evolution of the Indo-Aryan and Vedic culture to be traced and inferred.
The Vedas were composed and orally transmitted with precision by speakers of an Old Indo-Aryan language who had migrated into the northwestern regions of the Indian subcontinent early in this period. The Vedic society was patriarchal and patrilineal. Early Indo Aryans were a Late Bronze Age society centred in the Punjab, organised into tribes rather than kingdoms, and primarily sustained by a pastoralism way of life.
Around –1000 BCE the Aryan culture spread eastward to the fertile western Ganges Plain. Iron Age were adopted, which allowed for the clearing of forests and the adoption of a more settled, agricultural way of life. The second half of the Vedic period was characterised by the emergence of towns, janapada, and a complex social differentiation distinctive to India, and the Kuru Kingdom's codification of orthodox sacrificial ritual. During this time, the central Ganges Plain was dominated by a related but non-Vedic Indo-Aryan culture, of Greater Magadha. The end of the Vedic period witnessed the rise of true cities and large states (called ) as well as śramaṇa movements (including Jainism and Buddhism) which challenged the Vedic orthodoxy.
The Vedic period saw the emergence of a hierarchy of social classes that would remain influential. Vedic religion developed into Brahmanical orthodoxy, and around the beginning of the Common Era, the Vedic tradition formed one of the main constituents of "Hindu synthesis".
Archaeological cultures identified with phases of Indo-Aryan material culture include the Ochre Coloured Pottery culture (OCP), the Gandhara grave culture, the Black and Red ware culture (BRW) and the Painted Grey Ware culture (PGW).
Some Indian writers and archaeologists have opposed the notion of a migration of Indo-Aryans into India, and argued for an indigenous origin of the Indo-Aryans. In this view, "the Indian civilization must be viewed as an unbroken tradition that goes back to the earliest period of the Sindhu-Sarasvati (or Indus) tradition (7000 or 8000 BCE)." Though popular in India, and reflecting Indian views on Indian history and religion, the idea of a purely indigenous origin of the Indo-Aryans is outside the academic mainstream.
The knowledge about the Aryans comes mostly from the Rigveda-samhita, i.e. the oldest layer of the Vedas, which was composed 1400–1000 BCE. They brought with them their distinctive religious traditions and practices. The Vedic beliefs and practices of the pre-classical era were closely related to the hypothesised Proto-Indo-European religion and the Indo-Iranian religion. Funeral sacrifices from the Sintashta culture show close parallels to the sacrificial funeral rites of the Rigveda, while, according to Anthony, the Old Indic religion probably emerged among Indo-European immigrants in the contact zone between the Zeravshan River (present-day Uzbekistan) and (present-day) Tajikistan. It was "a syncretic mixture of old Central Asian and new Indo-European elements", which borrowed "distinctive religious beliefs and practices" from the Bactria–Margiana culture, including the god Indra and the ritual drink Soma.
Accounts of military conflicts in between the various tribes of Vedic Aryans are also described in the Rigveda. Most notable of such conflicts was the Battle of the Ten Kings, which took place on the banks of the river Parushni (modern day Ravi River). The battle was fought between the tribe Bharatas, led by their chief Sudas, against a confederation of ten tribes. The Bharatas lived around the upper regions of the river Sarasvati River, while the Purus, their western neighbours, lived along the lower regions of Saraswati. The other tribes dwelt north-west of the Bharatas in the region of Punjab region. Division of the waters of Ravi could have been a reason for the war. The confederation of tribes tried to inundate the Bharatas by opening the embankments of Ravi, yet Sudas emerged victorious in the Battle of Ten Kings. The Bharatas and the Purus merged into a new tribe, the Kuru Kingdom, after the war.
The Vedic religion was further developed with the emergence of the Kuru kingdom, systematising its religious literature and developing the Śrauta ritual. It is associated with the Painted Grey Ware culture (c.1200–600 BCE), which did not expand east of the Ganga-Yamuya Doab. It differed from the related, yet markedly different, culture of the Central Ganges region, which was associated with the Northern Black Polished Ware and the Mahajanapadas of Kosala and Magadha.
In this period the varna system emerged, state Kulke and Rothermund, which in this stage of Indian history were a "hierarchical order of estates which reflected a division of labor among various social classes". The Vedic period estates were four: Brahmin priests and warrior nobility stood on top, free peasants and traders were the third, and slaves, labourers and artisans, many belonging to the pre-Aryan groups, were the fourth. This was a period where agriculture, metal, and commodity production, as well as trade, greatly expanded, and the Vedic era texts including the early Upanishads and many Sutras important to later Hindu culture were completed.
The Kuru Kingdom, the earliest Vedic "state", was formed by a "super-tribe" which joined several tribes in a new unit. To govern this state, Vedic hymns were collected and transcribed, and new rituals were developed, which formed the now orthodox Śrauta rituals. Two key figures in this process of the development of the Kuru state were the king Parikshit and his successor Janamejaya II, transforming this realm into the dominant political and cultural power of northern Iron Age India.
The most well-known of the new religious sacrifices that arose in this period were the Ashvamedha (horse sacrifice). This sacrifice involved setting a consecrated horse free to roam the kingdoms for a year. The horse was followed by a chosen band of warriors. The kingdoms and chiefdoms in which the horse wandered had to pay homage or prepare to battle the king to whom the horse belonged. This sacrifice put considerable pressure on inter-state relations in this era. This period saw also the beginning of the social stratification by the use of varna, the division of Vedic society into Brahmins, Kshatriya, Vaishya and Shudra.
The Kuru kingdom declined after its defeat by the non-Vedic Salva tribe, and the political center of Vedic culture shifted east, into the Panchala kingdom on the Ganges, under King Keśin Dālbhya (approximately between 900 and 750 BCE). Later, in the 8th or 7th century BCE, the kingdom of Videha emerged as a political center farther to the East, in what is today northern Bihar of India and southeastern Nepal, reaching its prominence under the king Janaka, whose court provided patronage for Brahmin sages and philosophers such as Yajnavalkya, Uddalaka Aruni, and Gargi Vachaknavi; Panchala also remained prominent during this period, under its king Pravahana Jaivali.
The end of the Vedic period is marked by linguistic, cultural and political changes. The grammar of Pāṇini marks a final apex in the codification of Sutra texts, and at the same time the beginning of Classical Sanskrit. Meanwhile, in the Kosala-Magadha region, the sramana movements (including Jainism and Buddhism) objected the self-imposed authority and orthodoxy of the intruding Brahmins and their Vedic scriptures and ritual. According to Bronkhorst, the sramana culture arose in "Greater Magadha," which was Indo-European, but not Vedic. In this culture, kshatriyas were placed higher than Brahmins, and it rejected Vedic authority and rituals. Greater Magadha reached its zenith under the Maurya Empire. Meanwhile, the Achaemenid invasion of Cyrus and Darius I of the Indus valley in the early 6th century BCE marks the beginning of outside influence, which continued in the Kingdoms of the Indo-Greeks, Indo-Scythians, and Indo-Parthians. This period culminated with the Kushan Empire and Gupta Empire, which resulted in the "Hindu Synthesis".
The institution of marriage was important and different types of marriages— monogamy, polygyny and polyandry are mentioned in the Rigveda. Both women sages and female gods were known to Vedic Aryans. Women could choose their husbands and could remarry if their husbands died or disappeared. The wife enjoyed a respectable position. People consumed milk, milk products, grains, fruits and vegetables. Meat eating is mentioned; however, cows are labelled aghnya (not to be killed). Clothes of cotton, wool and animal skin were worn. Soma and sura were popular drinks in the Vedic society, of which soma was sanctified by religion. Flute ( vana), lute ( vina), harp, cymbals and drums were the musical instruments played and a heptatonic scale was used. Dancing, dramas, chariot racing and gambling were other popular pastimes.
The emergence of monarchical states in the later Vedic age led to a distancing of the rajan from the people and the emergence of a varna hierarchy. The society was divided into four social groups—Brahmin, , and . The later Vedic texts fixed social boundaries, roles, status and ritual purity for each of the groups. The Shatapatha Brahmana associates the Brahmana with purity of parentage, good conduct, glory, teaching or protecting people; Kshatriya with strength, fame, ruling, and warfare; Vaishya with material prosperity and production-related activities such as cattle rearing and agriculture; Shudras with the service of the higher varnas. The effects of Rajasuya sacrifice depended on the varna of the sacrificer. Rajasuya endowed Brahmana with lustre, Kshatriya with valour, Vaishya with procreative power and Shudra with stability. The hierarchy of the top three varnas is ambiguous in the later Vedic texts. Panchavamsha Brahmana and verse 13.8.3.11 of the Shatapatha Brahmana place Kshatriya over Brahmana and Vaishya, whereas, verse 1.1.4.12 places Brahmana and Vaishya over the Kshatriya and Shudra. The Purusha Sukta visualised the four varnas as hierarchical, but inter-related parts of an organic whole. Despite the increasing social stratification in the later Vedic times, hymns like Rigveda IX.112 suggest some amount of social mobility: "I am a reciter of hymns, my father a physician, and my mother grinds (corn) with stones. We desire to obtain wealth in various actions."
Household became an important unit in the later Vedic age. The variety of households of the Vedic era gave way to an idealised household which was headed by a grihapati. The relations between husband and wife, father and son were hierarchically organised and the women were relegated to subordinate and docile roles. Polygyny was more common than polyandry and texts like Tattiriya Samhita indicate taboos around menstruating women. Various professions women took to are mentioned in the later Vedic texts. Women tended to cattle, milked cows, carded wool; were weavers, dyers, and corn grinders. Women warriors such as Vishpala, who lost a leg in battle, are mentioned. Two female philosophers are mentioned in the Upanishads. Patrick Olivelle, in his translation of the Upanishads, writes that "the fact that these women are introduced without any attempt to justify or to explain how women could be engaged in theological matters suggests the relatively high social and religious position of at least women of some social strata during this period."
In the later Vedic period, the tribes had consolidated into small kingdoms, which had a capital and a rudimentary administrative system. To aid in governing these new states, the kings and their Brahmin priests arranged Vedic hymns into collections and developed a new set of rituals (the now orthodox Śrauta rituals) to strengthen the emerging social hierarchy. The rajan was seen as the custodian of social order and the protector of rashtra (polity). Hereditary kingship started emerging and competitions like chariot races, cattle raids, and games of dice, which previously decided who was worthy of becoming a king, became nominal. Rituals in this era exalted the status of the king over his people. He was occasionally referred to as samrat (supreme ruler). The rajan's increasing political power enabled him to gain greater control over the productive resources. The voluntary gift offering ( bali) became compulsory tribute; however, there was no organised system of taxation. Sabha and samiti are still mentioned in later Vedic texts, though, with the increasing power of the king, their influence declined. By the end of the later Vedic age, different kinds of political systems such as monarchical states ( rajya), oligarchical states ( gana or sangha), and tribal principalities had emerged in India.
According to Michael Witzel's analysis of the Kuru Kingdom, it can be characterised as the earliest Vedic "state", during the Middle Vedic Period. However, Robert Bellah observes that it is difficult to "pin down" whether the Kurus were a true "state" or a complex chiefdom, as the Kuru kings notably never adopted royal titles higher than "rājan," which means "chief" rather than "king" in the Vedic context. The Middle Vedic Period is also characterised by a lack of cities; Bellah compares this to early state formation in ancient Hawaii and "very early Egypt," which were "territorial states" rather than "city-states," and thus "it was the court, not the city, that provided the center, and the court was often peripatetic." Romila Thapar characterises Vedic-era state formation as being in a condition of "arrested development," because local chiefs were relatively autonomous, and because surplus wealth that could have been directed towards state-building was instead used for the increasingly grandiose rituals that also served to structure social relations. The period of the Upanishads, the final phase of the Vedic era, was approximately contemporaneous with a new wave of state formations, linked to the beginning of urbanisation in the Ganges Valley: along with the growth of population and trade networks, these social and economic changes put pressure on older ways of life, setting the stage for the Upanishads and the subsequent śramaṇa movements, and the end of the Vedic Period, which was followed by the Mahajanapada period.
According to George Erdosy, archaeological data for the period from 1000 to 600 BCE shows a two-tiered settlement pattern in the Ganges Valley, with some "modest central places," suggestive of the existence of simple , with the Kurukshetra district itself displaying a more complex (albeit not yet urbanised) three-tiered hierarchy. Subsequently, (after 600 BCE) there are four tiers of site sizes, including large towns and fortified cities, consistent with an urbanised state-level society.
The transition of Vedic society from semi-nomadic life to settled agriculture in the later Vedic age led to an increase in trade and competition for resources. Agriculture dominated the economic activity along the Ganges valley during this period. Agricultural operations grew in complexity and usage of iron implements ( krishna–ayas or shyama–ayas, literally black metal or dark metal) increased. Crops of wheat, rice, and barley were cultivated. Surplus production helped to support the centralised kingdoms that were emerging at this time. New crafts and occupations such as carpentry, leather work, tanning, pottery, astrology, jewellery, dying, and winemaking arose. Apart from copper, bronze, and gold, later Vedic texts also mention tin, lead, and silver.
Panis in some hymns refers to merchants, in others to stingy people who hid their wealth and did not perform Vedic sacrifices. Some scholars suggest that Panis were semitic people traders, but the evidence for this is slim. Professions of warriors, priests, cattle-rearers, farmers, hunters, barbers, vintners and crafts of chariot-making, cart-making, carpentry, metal working, tanning, making of bows, sewing, weaving, making mats of grass and reed are mentioned in the hymns of the Rigveda. Some of these might have needed full-time specialists. There are references to boats and oceans. Book X of the Rigveda refers to both eastern and western oceans. Individual property ownership did not exist and clans as a whole enjoyed rights over lands and herds. Enslavement ( dasa, dasi) in the course of war or as a result of non-payment of debt is mentioned. However, slaves worked in households rather than production-related activities.
The , the composers of the hymns of the Rigveda, were considered inspired poets and seers (in post-Vedic times understood as "hearers" of an eternally existing Veda, Śruti means "what is heard").
The mode of worship was the performance of sacrifices (Yajna) which included the of Rigvedic verses (see Vedic chant), singing of Samans and 'mumbling' of sacrificial mantras (Yajus). Yajna involved sacrifice and sublimation of the havana sámagri (herbal preparations) in the fire accompanied by the chanting of the Vedic mantras. The sublime meaning of the word yajna is derived from the Sanskrit verb yaj, which has a three-fold meaning of worship of deities (devapujana), unity (saògatikaraña) and charity (dána). An essential element was the sacrificial fire—the divine Agni—into which oblations were poured, as everything offered into the fire was believed to reach God. People prayed for abundance of rain, cattle, sons, long life and gaining 'heaven'.
Vedic people believed in the transmigration of the soul, and the peepul tree and cow were sanctified by the time of the Atharvaveda. Many of the concepts of Indian philosophy espoused later like Dharma, Karma etc. trace their root to the Vedas.
The main deities of the Vedic pantheon were Indra, Agni (the sacrificial fire), and Soma and some deities of social order such as Mitra–Varuna, Aryaman, Bhaga and Amsa, further nature deities such as Surya (the Sun), Vayu (the wind) and Prithvi (the earth). Goddesses included Ushas (the dawn), Prithvi and Aditi (the mother of the Aditya gods or sometimes the cow). Rivers, especially Saraswati, were also considered goddesses. Deities were not viewed as all-powerful. The relationship between humans and the deity was one of transaction, with Agni (the sacrificial fire) taking the role of messenger between the two. Strong traces of a common Indo-Iranian religion remain visible, especially in the Soma cult and the fire worship, both of which are preserved in Zoroastrianism.
Ethics in the Vedas are based on the concepts of Satya and Rta. Satya is the principle of integration rooted in the Absolute. Whereas, Ṛta is the expression of Satya, which regulates and coordinates the operation of the universe and everything within it. Conformity with Ṛta would enable progress whereas its violation would lead to punishment.
Ochre coloured pottery culture was first found approximately between 1950 and 1951, in western Uttar Pradesh, in the Badaun and Bisjuar district. It is thought that this culture was prominent during the latter half of the 2nd millennium, within the transition between the Indus Valley civilisation and the end of Harappan culture. This pottery is typically created with wheel ware, and is ill-fired, to a fine to medium fabric, decorated with a red slip, and occasional black bands1. When this pottery was worked with, it often left an ochre color on the hands, most likely because of water-logging, bad firing, wind action, or a mixture of these factors. This pottery was found all throughout the doab, most of it found in the Muzaffarnagar, Meerut, and Bulandshahr districts, but also existing outside these districts, extending north and south of Bahadrabad. This pottery does, however, seem to exist within different time frames of popularity, ochre coloured pottery seeming to occur in areas such as Rajasthan earlier than we see it in the doab, despite the doab being heavily associated with the culture.
Gandhara grave culture refers to the protohistoric cemeteries found in the Gandhara region, stretching all the way from Bajuar to the Indus. These cemeteries seem to follow a set grave structure and "mortuary practice", such as inflexed inhumation and cremation. This culture is thought to occur in 3 stages: the lower, in which burials take place in masonry lined pits, the upper, in which urn burials and cremations are added, and the "surface" level, in which graves are covered with huge stone slabs. In the lower stage, excavators found that these graves are typically 2–3 feet deep, and covered with stones on top. After digging out the stones, skeletons were found facing southwest to northeast, with the head facing one direction, and the hands laying on top of one another. Female skeletons were often found wearing hair pins and jewellery. Pottery is greatly important to this culture, as pottery was often used as a "grave good", being buried with the bodies of the dead. Buried alongside the skeletons, we typically see various pots on top of the body, averaging at about 5 or less pieces of pottery per grave. Within this culture we typically see two kinds of pottery: grey ware, or red ware.
Black and red ware culture was coined as a term in 1946 by Sir Mortimer Wheeler. The pottery, as the name suggests, typically has a black rim/inside surface, and a red lower half on the outside of the piece. Red-ware pottery tends to fall into two categories: offering stands, or cooking vessels. Most of these pieces of pottery were open-mouthed bowls that were burnished, painted, or slipped on one side; however, jars, pots and dishes-on-stands have also been found in small quantities. Black and red ware, and the surrounding culture, began its spread during the Neolithic period and continues until the early medieval period in India, as well as being found in parts of West Asia and Egypt. There are many theories about the process of its creation, the most popular being the use of an inverted firing technique, or a simultaneous oxidation and reduction firing.
Painted grey ware culture is a significant pottery style that has been linked to a group of people who settled in Sutlej, Ghagger, and the Upper Ganga/Yamuna Valleys, loosely classified with the early Aryans who migrated to India in the beginning of the Vedic period. It's also thought that the groups that introduced the painted grey ware culture also brought iron technology to the Indo-gangetic plains, making this pottery a momentous mark of the Northern Indian Iron Age. The style of grey-ware often includes clay wheel-thrown into a smooth texture, ash-grey in colour, and often decorated with black ink, creating small circular patterns, sometimes spirals, swastikas, or sigmas. Grey-ware pottery is almost exclusively drinking ware, and tends to have three different forms: narrow-waisted, tall drinking glasses, middle-sized drinking goblets, and drinking vases with outturned lips. There was a distinct grey ware culture surrounding the establishment of the pottery, but while the culture is significant, grey ware has only made up 10–15% of found Vedic pottery, a majority of the pottery red ware, as grey ware pottery was seen as a "highly valued luxury".
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